Goldsmith’s art
For millenia, gold has been treasured as an especially precious metal. Through its lustre, it is possible to achieve unique effects in art. Gold was furthermore legitimised as a material for Christian cult objects through symbolic interpretation: the Heavenly Jerusalem was supposedly surrounded by golden walls studded with gemstones. In medieval Cologne, treasury art of the highest artistic quality was produced by applying casting, repoussé, engraving and chasing techniques and colourfully combining the precious metal with other metals, gemstones and enamel.
So-called Cross of St. Modoaldus, reverse side of an altar cross, workshop of Roger von Helmarshausen, c. 1107, copperplate with remnants of gilding, 42 x 33.5 cm, Inv. No. G 579, © Rheinisches Bildarchiv
Christ with the Winnowing Fan, Cologne, 1150-1160, gilt copper, 16.4 x 14.5 cm, inv. no. G 578, © Rheinisches Bildarchiv
Cover of a Carolingian Book of Gospels, Cologne, c. 1170-1180 (manuscript St-Amand, c. 860-880), champlevé enamel, filigree and decorative stones, gilt silver relief, Inv. No. G 531, © Rheinisches Bildarchiv
Golden Panel from St. Ursula, Cologne, c. 1170-1180, painting: late 14th/early 15th cent. and 19th cent., oak, cahmplevé enamel, gilt-stucco plaques, gilded sheet metal, 114 x 218 cm, inv. G 564, © Rheinisches Bildarchiv
Small Reliquary Box with the Martyrdom of St. Thomas Becket, Limoges, 1195-1200, enamel, 20.2 x 17.9 x 8.2 cm, Inv. No. G 535, © Rheinisches Bildarchiv
Reliquary Pendant,
Cologne, 2nd half of 13th cent., rock crystal, gilt silver studded with glass, 8 x 3.3 x 1.7 cm, inv. G 392, © Rheinisches Bildarchiv
Crook of a Bishop’s or Abbot's Crosier,
Limoges, c. 1125-1235, gilt copper with enamel, h. 21 cm, inv. G 524, © Rheinisches Bildarchiv
Reliquary Pendant, Cologne, 2nd half of 13th cent., rock crystal, gilt silver studded with glass, 8 x 3.3 x 1.7 cm, inv. G 392, © Rheinisches Bildarchiv