Magic rock crystal

25 November 2022 - 19 March 2023

Precious stones have fascinated people since time immemorial. The Museum Schnütgen is now dedicating an exhibition to the water-clear rock crystal with around 130 objects from international collections.
The exhibition is based on the high-quality rock crystal objects in the museum's own collection and the hitherto unique discovery of a 12th-century rock crystal cutting workshop near Cologne Cathedral.

Manifestation of power and beauty

The Roman scholar Pliny the Elder considered the pleasantly cool, colourless rock crystal to be petrified ice that will never melt. Even in ancient times, people believed in the healing powers and magical properties of the crystal. In the Middle Ages, the precious mineral played an important role in the context of Christian faith - it was interpreted as a manifestation of the divine. But it was also in demand at the courtly table and, of course, for fortune-telling.

It is above all its transparency and translucency that give rock crystal its great attraction. Even uncut, it offers an imposing appearance with its sparkling, six-sided cones. When processed, the material becomes even more luxurious - the sacred and profane exhibits made of and with rock crystal bear witness to this and stand for themselves in their uniqueness and preciousness.

Rock crystal is a hard but fragile material that requires great skill to work. It cannot be carved or worked with hammer and chisel, but it can be shaped and decorated using various cutting techniques.

On display are exquisite rock crystal containers that were used, among other things, as reliquaries and as royal ceremonial vessels. But also optical lenses, cooling balls and even a chess stone made of rock crystal await the visitors. In addition, hundreds of individual parts of the Cologne rock crystal workshop found in 2005 will be on display. Furthermore, panel paintings, sculptures and manuscripts bear witness to the importance and use of the transparent "gemstone".

View of the exhibition

Cylindrical vessel made of rock crystal, set in gold, on lion feet
Cylindrical vessel made of rock crystal, set in gold, on lion feet
Rock crystal ball set in gold
Vessel made of cut rock crystal with a gold-coloured base.
Cross on black base with rock crystal decorations
Stone with rock crystal
Box in the shape of a hand with a rock crystal box, partially set in gold
Chess piece made of rock crystal
Forged miniature golden carriage set with precious stones
Animal head made of rock crystal with a muzzle crafted from fine goldsmith work and precious stones
Pendant with a rock crystal hand in the shape of a clenched fist
Ball made of polished rock crystal with case
Statue of Mary and Jesus seated on a throne, each with a rock crystal on their chest
Detail of a wooden statue of Mary with a rock crystal
Various cut and uncut rock crystals and tools for processing them are displayed on different bases made of stone, clay and bread.
Rock crystal ring depicting a soldier with a raised sword and a statue under his arm
Goldenes Kästchen in Form eines Hauses auf einem Sockel mit geschliffenen Bergkristallen an den Seiten
Tasse aus Bergkristall mit Henkeln an beiden Seiten
Gürtel aus rotem Stoff mit Goldfäden durchwirkt und mit Münzen besetzt. Daran hängen drei Gliederketten mit geschitzten schwarzen Perlen und einem Totenschädel aus Bergkristall.
Metallgliederkette mit schwarzen gravierten Perlen und einem Totenschädel aus Bergkristal an einem Ende
Aufwendig gearbeitetes Altarkreuz mit Jesusfigur aus Edelmetall, mit Bergkristall im Kreuz und im Sockel

The book

The book accompanying the exhibition costs 44 € at the museum (hardcover, 432 pages, 385 illustrations, ed. by Manuela Beer, Hirmer Verlag Munich 2022).

For the first time, works made of rock crystal from antiquity to the end of the Middle Ages are presented here in a comprehensive manner. The spectrum ranges from vessels for sacred and profane objects to crosses, chess sets, amulets, cooling balls, official signs and magnifying glasses. The facets of rock crystal as a material, its processing, use and symbolic interpretation are not only examined from an art-historical perspective, but also from the perspectives of mineralogy, archaeology, geology, philology and optics.

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