Plants and animals

Plants and animals pervade the art of the Middle Ages; they are a reflection of the living creation of God. As a matter of course, real animals appear side by side with mythical creatures such as dragons, griffins and the winged creatures of the Apocalypse that symbolise the evangelists. The symbolism and nature of the animals are often left ambiguous: thus, a lion can be understood both as a symbol of Christ and as a wild, dangerous animal. In part, interpretations of the animals and plants refer back to the Bible, however, others may also allude to writings such as the “Physiologus”, a collection of interpretations of nature compiled in Early Christian times. Animals and plants were often not placed at the centre of a work, but were used as its framework. In book illuminations, they can be found in the marginalia, in architectural sculpture on capitals and archivolts and in works of the goldsmith’s art on settings. Art objects can sometimes come alive through allusions, such as a lion’s feet carrying a reliquary or a bishop’s crosier in the form of a snake.