Plants and animals
Plants and animals pervade the art of the Middle Ages; they are a reflection of the living creation of God. As a matter of course, real animals appear side by side with mythical creatures such as dragons, griffins and the winged creatures of the Apocalypse that symbolise the evangelists. The symbolism and nature of the animals are often left ambiguous: thus, a lion can be understood both as a symbol of Christ and as a wild, dangerous animal. In part, interpretations of the animals and plants refer back to the Bible, however, others may also allude to writings such as the “Physiologus”, a collection of interpretations of nature compiled in Early Christian times. Animals and plants were often not placed at the centre of a work, but were used as its framework. In book illuminations, they can be found in the marginalia, in architectural sculpture on capitals and archivolts and in works of the goldsmith’s art on settings. Art objects can sometimes come alive through allusions, such as a lion’s feet carrying a reliquary or a bishop’s crosier in the form of a snake.
Bas-Relief with a Pair of Lions and a Monkey, Rhineland, 11th cent., limestone, 36.5 x 75 x 15 cm, Inv. No. K 6, © Museum Schnütgen
Lion’s Head Door Pull, Magdeburg (?), c. 1150, cast bronze, Ø 23 cm, inv. no. H 20, © Rheinisches Bildarchiv
Vessel for the washing of hands (aquamanile) in the Shape of a Lion,
Central Germany (Saxony ?), 2nd half 13th cent., bronze, 21 x 22.5 cm, inv. no. H 45, © Rheinisches Bildarchiv
St. Jerome in Penitence, Rhineland, 1550-1600, wood, H. 12.3 cm, Inv. No. A 220, © Rheinisches Bildarchiv
Rock Crystal Reliquiary,
Cologne, c. 1200, rock crystal, gilt copper studded with gemstones, 16 x 17.5 cm, inv. no. G 17, © Rheinisches Bildarchiv
Arch Segment with Dragon and Human Head,
Cologne, presumably after 1219, limestone, 59 x 25 cm, inv. no. K 125e, © Rheinisches Bildarchiv
Frog, detail from a relief depicting the Raising of Lazarus, Cologne, c. 1520, Baumberg sandstone, Inv. No. K 208, © Museum Schnütgen
Memento Mori, Paris, attributed to Chicart Bailly, c. 1520-1530, ivory, ebony, 12.5 x 42 cm, Inv. No. B 160, © Rheinisches Bildarchiv
Detail of a Snake from a Relief Depicting Christ on the Mount of Olives (from the former sacrament house of Cologne Cathedral), after 1508, limestone, 75 x 59 cm, Inv. No. K 180, © Museum Schnütgen
Knight on Horseback, Side Panel from the Choir Stalls of the former Collegiate Church of St. George in Wassenberg, Lower Rhineland, 1298, oak, H. 206 cm, Inv. No. A 802, © Museum Schnütgen
Christ upon the Donkey for the Palm Procession, Cologne, c. 1520, lime and softwood, H. 193 cm, Inv. No. A 124, © Rheinisches Bildarchiv
Plant Tendrils with Animals from a Glass Panel with St. Catherine and St. Barbara,
Cologne, late 15th cent., Inv. No. M 517, © Rheinisches Bildarchiv